Introducing: Agnes B. Widin


Agnes Birgersson Widin



Birth date


Where are you originally from?


Where do you currently live?


Preferred art medium

Drawing and painting

Hobby or interest aside from art?

Drinking beer and watch series

Guilty pleasures?

Watching shitty reality-shows

Who are some of your favorite artists?

Maley Talhaoui, Egon Schiele, Jenny Saville, Hope Gangloff

Favorite movie?

It’s hard just naming one but I’ll have to go with Jim Jarmusch’s Mystery Train

Favorite book?

Middlesex by Jeffrey Eugenides

Favorite song/album/band/musician? It’s constantly changes. My favorite song for now is Wings of love by Liv for the moment. I wouldn't say that I have a favorite group or musician but I like Amason, Tame Impala Talking Heads, Future Islands, Koop, Can, Knower

What are 3 things you want to achieve? I would like to overcome my stage fright when it comes to talking in front of people. Encourage people to talk more about feminism through my art.

Having a proper working space.

What is something you deeply love about yourself? I have a lot of patience.

How has Instagram worked for you as an artist? It sure motivates me to be more productive and it’s a fast way to communicate my art with other people.

Briefly describe the circumstances under which you grew up I grew up in a small village in Sweden that’s completely surrounded by nature. Just outside our house you could hear the rippling sounds of the brook. I lived together with my parents and two older sisters. I would like to say that I had perfectly fine childhood.

How do you think these circumstances influenced your art?

I think the way I saw my two sister going through their teenage years made a lot difference how I am today. They were often arguing and as a result I became more reserved. Sometimes I used to hide behind a door when they were fighting because I was so afraid of conflicts. I have honestly never had a fight with neither my mum or my dad in my whole live. I’m still quite calm today and I believe that you can see that reflect in my work. I’m a very sensitive person and a perfectionist at the same time.

What would you say are your artwork’s main themes? Feminism of course! I’ve done a series about the female masturbation where I talk about how it still is a topic that we are not allowed to talk about openly. I enjoy portraying the female body and embracing it regardless to sexism and sexual harassment that many women experience everyday.

How would you describe your style? Precise and sensitive. I am particularly fascinated be the aesthetics of a line, its lightness, its undulations and the effect made by accumulation.

Can you remember a specific experience from your life that has shaped who you are and what you do as an artist today? When I left my safe little town to go to Paris. I’ve definitely become a stronger person with a mind of my own.

“[Female masturbation] is still a topic that we are not allowed to talk about openly. I enjoy portraying the female body and embracing it regardless of sexism and the sexual harassment that many women experience everyday.”

What are you trying to communicate with your art?

Themes that are relatable to other people. I aim to interpret the complex language of the body, as well as the beauty of gesture. There is a strong link between my work and myself, as I often use my own body as inspiration. Even though this exposes me in a massive way, it gives me a sense of control over my own body and sexuality.

(Certain) Artists tend to have a stereotype attached to them of being dramatic with addictive personalities. What do you feel about this assumption?

Myths about what it means to go through an artist’s path have been around for a long time. These stereotypes persist despite the diversity of artists working today.

As an artist, do you find yourself drawn to any addictive disorder? Not really no.

Have you had any struggle with mental illness and if so, would you like to share your experience with us? No but I’m a very sensitive person that cries a lot. I think it’s important to show ourselves vulnerable to others. It can be difficult to let other people comfort you when you are sad. We don't allow ourselves to be vulnerable. By claiming that we are strong all the time when we aren’t, we create a certain distance from our own feelings and experiences.The more we are willing to make vulnerability our own, the more we dare.

Artists paths are normally non-linear. Can you recall for us what your path has been like?

I studied art at secondary school in my home town. Today I'm in my third and last year of university, studying art in Paris. I have great teachers that give me a lot of constructive criticism that often helps me improve my performance. I never had any actually classes on how to learn to paint with oils. You just show up at class with your canvas and then the teacher tells you what you need to improve.

“I am particularly fascinated be the aesthetics of a line, its lightness, its undulations and the effect made by accumulation.”